Thanks to the producing powers of famed guitarist Slash, Variety reports that Rebekah Brandes (Bellflower) has acquired a primary role in Nothing to Fear, the inaugural film from the former’s new production company, Slasher Films. She’s joining a cast that already includes Anne Heche, Clancy Brown, Ethan Peck, and James Tupper, and one that Anthony Leonardi III will make his directorial debut with.
Being a little horror picture, Fear centers on a family trying to start a new life in a small Kansas town, only to find out that their home is one of the seven gateways to hell. In the lineup, Tupper is the fictional family’s patriarch, Heche the mother, and Brandes their daughter; Brown has been hired to play “a charismatic but emotionally conflicted man of the cloth.” Now that the main cast has been, far as I can tell, mostly assembled, production on Nothing to Fear should get going in the relatively near future.
Moving from fictional scares into real-life tragedy, THR has a couple of casting additions for Fruitvale, a drama that, last night, we learned was trying to pull in Octavia Spencer and Michael B. Jordan (Chronicle). With those two having been confirmed the next day, it’s said that Melonie Diaz (Hamlet II) and Jordan‘s Wire and Red Tails co-star, Tristan Wilds, are now locked to appear.
Fruitvale is based on the story Oscar Grant, a young man killed on New Year’s Day of 2009 when police detained him following a public, physical altercation; the actual film, meanwhile, will seemingly follow him as he “crosses paths with friends and enemies, family and strangers on his last day.” Among those just cast, Diaz will play his child’s mother; Wilds has been cast as his best friend.
Produced by Forest Whitaker and written & directed by Ryan Coogler, Fruitvale will begin shooting in July.
Has either film been of relative interest to yourself? What does this casting do for that feeling?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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