In one of the better pairings of material and distributor I’ve seen in quite a long time, THR informs us that Drafthouse Films will be releasing Quentin Dupieux‘s Rubber follow-up, Wrong. It’s fair to assume that anyone with enough excitement doesn’t actually know what they should expect here; the trailer is confounding, and our Sundance review doesn’t make it sound any less esoteric. (Basically, it’s about someone trying to find their dog.) All the more reason to pay attention, if you ask me.
It’s a little unfortunate that the film won’t be coming before the year’s end — Drafthouse are eyeing 2013 — though a secure spot is better than nothing at all.
A few other acquisitions have been announced in the past couple of days, so it’s best to break those down in a quick fashion. First, it’s been announced that hatemonger Andrew Breitbart will get one last shot at relevancy with Occupy Unmasked, Stephen K. Bannon‘s documentary told from the perspective of the 1%. In it, we get an “inside look” at the Occupy Wall Street movement, showing a “criminal activity and raw brutality in the camps.” Pretty easy for a rich conservative to make, wouldn’t you say? Despite their strong taste for projects, Magnet have decided to pick this up for a late September release in theaters and on VOD.
Following that, THR tells us another documentary — one without a disgusting bias and with some basis in historical fact — Ken Burns‘ Central Park Five, has been acquired by IFC’s Sundance Selects. In one of his very first theatrical works, the documentarian has decided to focus on the titular group of black and Hispanic men accused of raping a jogger in Central Park. (Things went down an unexpected path.) You can watch the first trailer here, and read a couple of positive Cannes reviews in the meantime.
Finally, JoBlo have learned that Music Box Films will release this year’s Tribeca horror title, the Boris Rodriguez-directed Eddie: The Sleepwalking Cannibal. I’ve actually seen this, believe it or not (don’t know why you wouldn’t), and can safely say this is a pretty subpar genre entry with little new to say or show. Don’t see it.
Is Drafthouse a reasonable choice to release Wrong? Any interest in these other titles?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute