When Dark Shadows and Abraham Lincoln: Vampire Hunter not only bombed but, at once, also exposed a wide audience to the weakness of Seth Grahame-Smith‘s work, I figured that was kind of “it” for the guy. A third, earlier nail in that coffin was Pride and Prejudice and Zombies, the troubled, at-the-time-cancelled adaptation of his popular mash-up between Jane Austen and the undead — which I don’t get, but which generated an entire screenplay from David O. Russell and the interest of Natalie Portman, among talented others. After their creative involvement ended up dissipating, things dragged along before, months later, gas simply ran out.
I’m not one to partake in schadenfreude, but watching that one unfold felt mighty good.
It is with great disappointment, then, that I learn it is being revived. A press release from the Annapurna-backed Panorama Media, Darko Entertainment, Handsomecharlie Films, and producer Allison Shearmur announces the start of new development on Pride, with Natalie Portman coming back (merely as a producer, thankfully). There’s one bright side — or silver lining, if you’d like — that being the quick note that Russell‘s screenplay will be used for this production. So this isn’t completely terrible news. Just terrible.
A director or star have not yet been found — and, given how that search went last time out, an insincere “good luck” to the team — while rights will be sold at Cannes. To every buyer with a deep pocket heading there in a few months: please, don’t do this.
Is the return of Grahame-Smith’s work good news? If so, why?
As my review can attest to, I’m looking forward to not only watch John Wick again but also see how the film hits with general audiences when it arrives this weekend. The actioner stars Keanu Reeves as an ex-hitman who is crossed by the son of his old employer. When everything is taken from him, he decides to […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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