I know Tyler Perry is hardly a good sign when it comes to a film’s potential quality — I say this, in all honesty, as someone who’s never seen one of his writing-directing credits — but I still kind of want to see the results of Alex Cross. Maybe it’s the decent source material, or even the sight of a skeletal-yet-muscular Matthew Fox (okay, it’s that); either way, I’m not writing this one off just yet.
The first poster is basically what you’d expect — a sort of mutual foregrounding of the titular hero and his nemesis — expect for a terrible, terrible tagline that feels like it was conceived when a team only had 13 seconds left before sending the thing to Lionsgate. Yet, for whatever reason, I’m weirdly hopeful about a Rob Cohen-directed mystery. Help me.
Alex Cross hits on October 19th. The poster can be looked at below (via IMPAwards):
Here’s something you probably haven’t heard: I was a little surprised by the trailer for Taken 2. This is a movie that doesn’t need to reinvent any wheels if it just wants to provide a basic, brutish satisfaction afforded in 2009′s surprise hit, but that first preview — trust me, I know how stupid this might sound in four months’ time — promised something that looks bigger, prettier, and even a little more (do I even say this?) interesting on a plotting level.
The poster for Taken 2, on the other hand, certainly takes a few cues — mainly, physical, framing, and lighting — from the original film’s one-sheet. (Text, sadly, is not really present.) My very mild expectations for Olivier Megaton‘s film aren’t affected in any real way by this small promotional item, but it’s nonetheless amusing to note where the marketing team seems to really be channeling their efforts; at least they’re putting it in the right spots.
Taken 2 will arrive on October 5th. See the poster below (via IMPAwards):
Next up, Yahoo! have premiered two new posters for Jay Roach‘s The Campaign, either of which feature Will Ferrell and Zach Galifianakis in full-on character mode. While this is not more likely to appear in theaters than the more traditional one-sheet that hit a few weeks back, I’m much more in favor of these two (for lack of a better term) campaign-like previews. They even got a mild chuckle.
The Campaign gets sworn in on August 10th. Take a look at these two below:
Finally, Fandango are giving us, the general public, a poster for Dax Shepard‘s Hit and Run. A preview made his second feature look like the kind of post-Tarantino junk that was supposed to have vanished from the marketplace when the 21st century started — so, no, this doesn’t go and change my outlook on the overall outing. A shame, too, since I like most of the cast — Bradley Cooper, Kristen Bell, Kristin Chenoweth, and, sure, Tom Arnold — and think the basic set-up could have made for something fun.
David Palmer has co-directed Hit and Run, which is scheduled to open on August 24th. Gander at the poster below:
Which poster do you find the most striking? Are you planning on seeing any of these films?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute