Few horror movies stand the test of time as well as Steven Spielberg’s 1982 ghost thriller, Poltergeist. In terms of style, the practical special effects still hold up (stop motion crawling steak, anyone?), and the story, which serves as a biting commentary on the ravages of urban sprawl, adds more than enough substance. When MGM announced plans to remake the timeless classic, it was disheartening, but the dread was soon assuaged when Evil Dead director Sam Raimi signed on to produce. The project took another promising step when Gil Kenan, who helmed the charming Spielberg-produced animated feature Monster House, was hired to direct. As the film nears production, plot details have emerged to shed some light on just how different the new version will turn out.
Based on a screenplay by Raimi and one of his Oz the Great and Powerful writers, David Lindsay-Abaire, the concept follows “Eric Bowen and his family who, after he loses his job, relocate to a new town to start anew. His daughter, Madison, is abducted, making him truly understand what’s important in life: family. In the new version, Eric’s wife, Amy, can communicate with the dead.” Joining the family are characters Carrigan Burke, a television personality who hosts a show called Haunted House Cleaners, and his ex-wife, parapsychologist Dr. Brooke Powell. Powell and her team investigate the “supernatural events surrounding the disappearance of the Bowen girl,” but it’s unclear how Burke comes into play – considering Raimi’s sense of humor, and the name of Burke’s show, I foresee reality TV being portrayed in an unflattering light. [Bloody Disgusting]
Casting has begun on Poltergeist, which begins shooting sometime around September in Toronto, Canada.
Based on these new plot details, are you feeling hopeful for the Poltergeist remake?
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Today we have a special episode of our official podcast, The Film Stage Show. In honor of James Gray‘s The Immigrant arriving on Netflix this week, we have an audio version of our full interview with the director, published in text form on the site during the film’s theatrical release. Conducted by co-host Nick Newman […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
Latest posts from Beats Per Minute