Realizing that things with Terrence Malick were probably over, Sean Penn has started to get his hands dirty with the action genre. It’s not a decision I’d have anticipated the typically, sometimes comically serious actor to make — he’s been critical of actors taking what he sees as inconsequential roles — and, even with some political shades that he could tap into, the news just felt… off. Those who know a thing or two about him, which is sure to be most of us, probably understand what I mean with only that one word.
And further into genre staples do we go. As learned by THR, Pierre Morel — a Luc Besson favorite who honed his style through The Transporter, District B-13, Taken, and From Paris with Love — has landed the director’s job on Prone Gunman, being handed a screenplay by Dredd helmer Pete Travis that, itself, is taken from a novel by Jean-Patrick Manchette. In either work, the audience follows a contract killer, Martin Terrier, hoping to exit the business by marrying the woman of his dreams; this doesn’t go as planned, like you’ve already guessed, and Terrier must get revenge by trekking across Europe with more and more blood on his hands.
THR’s comparison between Morel launching Liam Neeson into action and, now, guiding Penn through his entrypoint are somewhat apt, though possibly a little early. As alluded to, there’s a deeper political edge contained within, and what might speak more to the actor’s interests than, on the other hand, shooting guys in a hotel hallway. It’s what interests me the most, too — probably because I’m also a bleeding heart — and, while not something new for Penn, could be a nice way of seeing Morel expand his horizons.
Silver Pictures and Studio Canal are producing Prone Gunman, and expect to start shooting in a few months’ time.
What do you make of this choice to helm Gunman?
After months of behind-the-scenes efforts, this weekend will bring the start of Jamieson McGonigle‘s Jesse James Revival, a fan-led initiative to bring Andrew Dominik‘s The Assassination of Jesse James by the Coward Robert Ford back to the big screen — as it was always meant to be seen, and, too, in the most pristine conditions [...]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, associate editor Nick Newman, writer Danny King and I briefly discuss The Hunger Games: Catching Fire before a remembrance of Paul Walker. Then we dive into our feature review of Spike Lee‘s Oldboy remake. Following that we take a look at the films [...]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out [...]
While December is often a time of reflection of the year past, before we embark on such a journey in forthcoming features, it’s time to take a look at what to keep on your radar in the next few weeks. A number of the below films won’t reach their widest release until early next year, [...]
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