Some might chalk Hancock‘s quick vanish from the public consciousness up to a release within close range of The Dark Knight, but most (i.e., the sensible) just think back to the film and know precisely why it disappeared. Sure, it made more than $600 million at the box office, but how many people mention the movie in conversation three and a half years later? Exactly.
This general distaste for and extended length of time from Hancock makes the prospect of a sequel nigh impossible in my own opinion, but Peter Berg is getting out the drum and starting to bang it, anyway. Here’s his quote on the prospective follow-up that was given to CBM:
“We’ve been talking about the sequel between us, Will Smith, [producers] Michael Mann and Akiva Goldsman and myself. We’re all interested, but we literally just have trouble getting into the same room at the same time. We did have a series of meetings last year and started to hash out an idea for sequel — and Will Smith actually had the idea — so I think it will happen, it’s just a question of timing.”
I recall, back upon Hancock‘s release, some talk of navigating the excruciating mythology surrounding the Will Smith and Charlize Theron characters in a second film – and, though you can tell I would most certainly not prefer a film focusing on that, it’s really the only place they can go. (Unless generic Southern villain guy ended up surviving or something.) But Hancock 2 isn’t happening, guys, and anyone who thinks differently might want to adjust their expectations.
Would you even want to see a sequel to Hancock?
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Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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