Some might chalk Hancock‘s quick vanish from the public consciousness up to a release within close range of The Dark Knight, but most (i.e., the sensible) just think back to the film and know precisely why it disappeared. Sure, it made more than $600 million at the box office, but how many people mention the movie in conversation three and a half years later? Exactly.
This general distaste for and extended length of time from Hancock makes the prospect of a sequel nigh impossible in my own opinion, but Peter Berg is getting out the drum and starting to bang it, anyway. Here’s his quote on the prospective follow-up that was given to CBM:
“We’ve been talking about the sequel between us, Will Smith, [producers] Michael Mann and Akiva Goldsman and myself. We’re all interested, but we literally just have trouble getting into the same room at the same time. We did have a series of meetings last year and started to hash out an idea for sequel — and Will Smith actually had the idea — so I think it will happen, it’s just a question of timing.”
I recall, back upon Hancock‘s release, some talk of navigating the excruciating mythology surrounding the Will Smith and Charlize Theron characters in a second film – and, though you can tell I would most certainly not prefer a film focusing on that, it’s really the only place they can go. (Unless generic Southern villain guy ended up surviving or something.) But Hancock 2 isn’t happening, guys, and anyone who thinks differently might want to adjust their expectations.
Would you even want to see a sequel to Hancock?
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
One of the most highly anticipated films of the Cannes Film Festivals was unveiled this morning to a divisive response, Nicolas Winding Refn‘s Only God Forgives. As we said in our review, “set amidst an underground Muay Thai boxing club and glowing with hellish red lights from countless brothels, the mood and style is more [...]
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