Before we get to the beginning, we have to start at the end. For their 50th iteration of the New York Film Festival, the Film Society of Lincoln Center has decided on an unexpected choice for a closing film. Opening in early November theatrically, they’ve went with Robert Zemeckis‘ drama Flight. Starring Denzel Washington as a pilot with a history of alcoholism, the major studio picture is an odd choice, but at least it wasn’t as unfitting as Tribeca’s closer this year, The Avengers. Could this signal some awards prospects for Zemeckis’ return to live-action? We’ll have to wait a few months to find out, but check back for the full line-up and read the press release below.
New York, NY, August 8, 2012 – The Film Society of Lincoln Center announced today that Robert Zemeckis’s FLIGHT will make its World Premiere as the Closing Night film for the upcoming 50th New York Film Festival (September 28 – October 14).
“We’re delighted to welcome Robert Zemeckis to the New York Film Festival for the first time. A director equally known for delighting audiences as well as for pushing the technological limits of filmmaking, Zemeckis has created with FLIGHT a remarkable film about one man’s journey to some of the darkest parts of his soul,” says Richard Peña, Selection Committee Chair & Program Director, The Film Society of Lincoln Center.
An action-packed mystery thriller, Academy Award winner, Denzel Washington stars in Robert Zemeckis’s FLIGHT as Whip Whitaker, a seasoned airline pilot, who miraculously crash lands his plane after a mid-air catastrophe, saving nearly every passenger on board. Although he is immediately acclaimed as a hero, the legal, moral and ethical aspects of Whip’s behavior before and after the accident are much more ambiguous than initially meet the public eye. FLIGHT is a compelling drama anchored by a great performance from one of our most distinguished actors. The stellar supporting cast includes John Goodman, Don Cheadle, Melissa Leo, Bruce Greenwood and Kelly Reilly. The Paramount Pictures release is due in theaters on November 2.
Rose Kuo, Executive Director, The Film Society of Lincoln Center, said, “Robert Zemeckis has shown his diversity as a storyteller in comedies, dramas and has skillfully translated narratives into special effect environments. It is a pleasure to see him bring to life this complicated, tragic-comic portrait of a man in crisis, with an exceptional and poignant performance by Denzel Washington.”
The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Peña also includes: Melissa Anderson, Contributor, Village Voice; Scott Foundas, Associate Program Director, The Film Society of Lincoln Center; Todd McCarthy, Chief Film Critic, The Hollywood Reporter; and Amy Taubin, Contributing Editor, Film Comment and Sight and Sound.
General Public tickets will be available September 9th. There will be an advance ticketing opportunity for Film Society of Lincoln Center Patrons and Members prior to that date. For more information visit www.Filmlinc.com/NYFF or call 212 875 5601.
What do you think of the closing choice?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute