New York Magazine caught up with Sex and the City’s Mr. Big, Chris Noth, at the premiere of Philip Seymour Hoffman’s directorial debut Jack Goes Boating (check out my review here.) When asked about the popular franchise that had a rough summer with the critically panned sequel, Sex and the City 2, Noth sneered:
“It’s over. The franchise is dead. The press killed it. Your magazine fucking killed it. New York Magazine. It’s like all the critics got together and said, ‘This franchise must die.’ Because they all had the exact same review. It’s like they didn’t see the movie.”
Full Disclosure: I was a huge SATC fan, but after the rough ride that was the first movie and the trainwreck that was the ad campaign for the second – they lost me. I’m hoping Noth’s right, and the sassy girls with puns and party dresses have been put out to pasture before they embarrass themselves – and those of us who loved them – any further.
Are you upset SATC is dead?
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, editor Nick Newman, writer Danny King, and I have a discussion on why movies matter before jumping into a feature review of Terry Gilliam‘s latest creation The Zero Theorem, which is now available on VOD before a theatrical release on September 19th. […]
Bleak and harrowing, Starred Up is a prison picture that pushes the boundaries. The film opens with the graphic examination of Eric (Jack O’Connell) a teen transferred to an adult prison. Exploring the culture of violence, in particular the legacy of violence, David Mackenzie has crafted a powerful feature film that has resonated with in […]
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