Nightclub cinema is not, nor will it ever be, a real genre, but if it were — you clearly have to entertain my notions right now — only a few would be prime entries into the canon. This year’s Sleepless Night might be a contender; 54 could get a shout-out; I, personally, think Boogie Nights is a strong contender; and I know a few people like 24 Hour Party People. With any luck, we could have another film to add to this ersatz list.
According to Variety, New Line Cinema and Atlas Entertainment are moving forward with a (currently) untitled biopic of Chris Paciello. Once known as the “King of Miami,” this former club maven had a hot ’90s streak of sex, drugs, and general excess, but one that came to a close when, in 2000, he was arrested for a money-related killing. Adam Mazer (Breach) will be writing the screenplay, while Charles Roven (The Dark Knight Rises), Richard Suckle, and William Green are working with Atlas. There’s no word on a director, star, or even release window, though I’d think the interesting material and high-profile producer would attract somebody sooner rather than later.
Do you think there’s potential in this story?
Instead of ‘The Hangover Part III,’ Watch Todd Phillips’ Unaired HBO Doc ‘Frat House’
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Watch: A 35-Minute Conversation With Cinematographer Roger Deakins
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Fantastic Debut Trailer For ‘Ain’t Them Bodies Saints’ With Rooney Mara & Casey Affleck
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Trailer For ‘The Act of Killing,’ Produced By Werner Herzog and Errol Morris
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Chris Hemsworth Has the Will to Win In New Trailer For Ron Howard’s ‘Rush’
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Elijah Wood’s Slasher Remake ‘Maniac’ Receives U.S. Trailer
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Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
One of the most highly anticipated films of the Cannes Film Festivals was unveiled this morning to a divisive response, Nicolas Winding Refn‘s Only God Forgives. As we said in our review, “set amidst an underground Muay Thai boxing club and glowing with hellish red lights from countless brothels, the mood and style is more [...]
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