Any and all casting hoopla regarding Carrie has, rightfully and, as expected, centered on one Chloe Moretz. (She’s taking one of horror’s most iconic role, you know.) When the young actresses’ name was first thrown into the madness, however, we ever-so-briefly heard that Julianne Moore and Jodie Foster were being pursued for the other lead role, that of Carrie’s psychotic, Evangelical mother. When Moretz got cast two days later, though? We kind of put it to the side.
Ignore we no longer shall, as BloodyDisgusting reports that Moore‘s now entered formal talks with Columbia Pictures over the show-stopping role. It’s up in the air right now, but some kind of contract would need to be signed before very long — what with a March 15th, 2013 release date getting closer every day, to paraphrase Buddy Holly. (We’ll know how this ends in the near future, is what I’m saying.)
Now, when it comes to the casting itself: The role of Carrie’s mother is a pretty tough act to follow — Piper Laurie‘s original, Oscar-nominated performance is an incredible force of sadistic nature — but if Moore could embody a hugely prolific figure, like Sarah Palin, and make you forget a performance is even happening onscreen, some (other) nut job is doable. Right? I’d like to think so.
Is Moore a good choice for this role? How does this project look with each new development?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute