Any mixed feelings surrounding this project would never mean anything. Sure, most people enjoyed Gareth Edwards‘ debut, Monsters — it even got him a slightly bigger creature feature — and would like things to remain “at that,” but director-approved plans for a sequel have been in motion for almost 18 months; last we heard, two directors had even been signed.
Now? It’s still moving along, but the creative assembly has shifted around.
Instead of newcomers Brent Bonacorso and Jesse Atlas, Tom Green (different one) will make his feature debut on Monsters: The Dark Continent, which we’ve heard would follow “a teacher who lives in a walled city heading into the infected zone to find his brother, who used to be a part of the military before going crazy.” (I’ve already jumped to a not-so-unfair conclusion that Africa plays some role. Many others probably have, too.) Jay Basu, another relative unknown, will be writing the screenplay.
Seeing as BBC’s Misfits is the biggest, most prolific work Green‘s done yet, you’ll probably be foreign to his output if British TV isn’t your thing. (Or if you, like I, never got around to Misfits in the first place.) All the good things I’ve heard about that show, though — along with some kind words for his student film, Brixton 65 — make it easier to give Continent a fair shot before more comes forth. Edwards‘ own encouragement doesn’t hurt, either.
Are you happy that Monsters: The Dark Continent is still gestating? What do you make of this pick?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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