The uncontested success of Ghotocol — financial and creative, amazingly — gave that flagging series the sort of lifeblood it may have never had. In a franchise that people tend to enjoy but, in all truth, sort of dispense with after seeing once, that, last December, was truly the time people saw these films could work like dynamite. And on the fourth outing? It’s madness.
A fifth installment has been scoped out for ten months now — just, without much else. Opening up a bit more with Total Film, however, Tom Cruise said that he’d at least “make a bunch of those,” with “a bunch” roughly translating to “as many as people want to see… because they’re very challenging, and so much fun to make.” Given the typically glacial rate at which the Mission: Impossible series is produced — five years on average for each — part of me thinks “a bunch” might be overshooting your own ambition by a little bit. But if it’s (always) on the same level of pure entertainment as their last outing, there’s no complaining about more.
It’s almost no more notable than what’s been reported this whole time, though he and the team — whoever that may be; Brad Bird‘s probably not amongst them — are “working on different images [and t]alking conceptually.” Like any good spy series, locations are important to how these play out, and it’s a big world full of interesting locations to climb and / or demolish. So, look out for wherever Cruise heads whilst promotion Jack Reacher; the actor uses that as an opportunity to traverse cities, “coming up with different sequences” when the opportunity affords it.
Let’s hope Paramount don’t just send him to Akron and Sacramento at the end of this year.
Are you up for more than one subsequent Mission: Impossible? What should Ethan Hunt risk his life in and around next time?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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