Even if Paramount brass didn’t express the desire to go with Mission: Impossible V before Tom Cruise is older than Wilford Brimley in Cocoon: The Return; even if Ghotocol wasn’t the series’ highest-grossing entry, unadjusted for inflation; and even if we all hated Brad Bird‘s movie, Mission: Impossible V would probably be happening. But it was the series’ highest-grossing entry, and I haven’t met anybody who hated it (although not all of us were fond)… so, basically, you knew this was coming.
When Viacom’s CEO, Philippe Dauman, was asked if Paramount had ambitions for another chapter in the story of Ethan Hunt, his response was as simple as “Oh, yes.” Nothing about Bird returning, no word on what cast members are sticking around, or what part of the world IMF will have to infiltrate after being set-up. Only “Oh, yes.”
Which, to be fair, is just about how I react to news of another Mission: Impossible. I’m game, and there’s a good chance you are, too.
Are you up for Mission: Impossible V?
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, editor Nick Newman, writer Danny King, and I have a discussion on why movies matter before jumping into a feature review of Terry Gilliam‘s latest creation The Zero Theorem, which is now available on VOD before a theatrical release on September 19th. […]
Bleak and harrowing, Starred Up is a prison picture that pushes the boundaries. The film opens with the graphic examination of Eric (Jack O’Connell) a teen transferred to an adult prison. Exploring the culture of violence, in particular the legacy of violence, David Mackenzie has crafted a powerful feature film that has resonated with in […]
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