
Had enough of zombies? Fed up with the glut of giant robot movies? Well, why not pit the brain-guzzlers against the oil-guzzlers? That’s what Sony Pictures is doing, having acquired the rights to Zombies Vs. Robots, a comic series written by Chris Ryall, with art by Ashley Wood and published by IDW. [Deadline] 
Several studios were reportedly interested in the material, but Sony nabbed it. The project – which is being adapted by screenwriter JT Petty (The Burrowers) as a spec script called (at the moment) Inherit the Earth – is a joint effort by Platinum Dunes, Circle of Confusion (which has solid zombie chops, having produced The Walking Dead) and IDW.
Michael Bay will be producing, along with Brad Fuller, Andrew Form, Dave Alpert and Rick Jacobs. The plot of the comics has something to do with a band of robots protecting the last girl on earth from flesh-starved zombies. I think we can leave it at that.
The comic series has a die-hard cult following, who will likely be up in arms over a tentpole treatment of this thing, but I say what the hell. If you were wondering why these big studio films are getting more and more ridiculously high-concept (Cowboys Vs. Aliens, Battleship, my own idea of turning Hungry Hungry Hippos into a tentpole flick), then let this eye-opening article on the globalization of Hollywood from The Economist satisfy your curiousity.
We’ve got more giant robots on the way (Transformers 3, Real Steel), and zombies are NEVER, EVER going away, for better or worse.
Are you a fan of the comic book Zombies Vs. Robots? Do you think the concept will be a fun movie?
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There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
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