With White House Down getting itself together right across Hollywood, Antoine Fuqua and his team are working at lightning speed to assemble Olympus Has Fallen into shooting shape. Thus, in the latest round of casting, THR tells us that Oscar winner Melissa Leo, Rick Yune (The Man with the Iron Fists, Die Another Day), and Cole Hauser (2 Fast 2 Furious) are now in the picture.
Leo‘s being signed to appear as the Secretary of Defense who concedes information when tortured; Yune is the primary antagonist, “a North Korean posing as a South Korean ministerial aide” who, obviously, is also “a sociopathic monster”; and Hauser will be a Secret Service agent. Not that you probably didn’t know this already, but Olympus — written by Creighton Rothenberger and Katrin Benedikt — centers on a former member of the Secret Service who has to save his President when the White House comes under attack from North Korean terrorists. I hope it all makes a little more sense now.
Along with these new members and the aforementioned star, Olympus‘ current lineup consists of Aaron Eckhart, Dylan McDermott, Angela Bassett, and Radha Mitchell. The film will begin shooting sometime in the next couple of months.
Afterward, it’s reported that Rob Corddry will continue the movie stint with Paul Feig, as he, according to Variety, is close to singing for a role in the director’s newest comedy, The Heat, though the details on such a part have not been publicly revealed as of this time. However, we do know that the project follows an FBI agent (Sandra Bullock) and a Boston cop (Melissa McCarthy), both of whom are paired up and tasked with prosecuting a Russian gangster — it’s also been said that Tony Hale and John Baker will take supporting roles.
Does either film potentially improve itself with these subsequent casting choices?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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