There probably isn’t much concern about The Hobbit‘s financial viability, nor is there a lot of contemplation on how it should affect Martin Freeman‘s career. If anything, the British thespian is showing signs of a normal trajectory — a big film here, some TV there (the excellent Sherlock, for one), and little films while he’s still at it. So, in a deviation from the world of J.R.R. Tolkien, Variety reports that the actor will be taking a small turn Svengali, a feature based on the YouTube series that follows “the story of a smalltown guy from Wales who travels to London to fulfill his dream of becoming the manager of the best band in the world.” Freeman‘s role is said to only be a cameo — shot during a break between the two Hobbit films — but his work is always welcome, anytime and anywhere.
The show’s co-creator, Jonny Owen, will be writing, starring, and producing, while the rest of the cast will be filled out by Michael Smiley (Spaced, Kill List), Vicky McClure (This Is England), and (like the original series) various music personalities. John Hardwick is making his feature debut, with production commencing next week.
A much bigger project has updated its roster, as Deadline reports that Kathryn Bigelow‘s Osama bin Laden picture has added Harold Perrineau (Lost) to the massive, amazing cast — in a secret role, mind you. The rest of his lineup includes Joel Edgerton, Jason Clarke, Édgar Ramírez, Mark Strong, Jessica Chastain, Nash Edgerton, Kyle Chandler, and Jennifer Ehle; taking into account what we know about the participation of those actors, it’s safe to go ahead and assume that Perrineau‘s got a role somewhere along the lines of a CIA agent or Navy SEAL. I’ll just be pleased to see him get some good post-Island work.
Have you seen the original Svengali series? Could a movie be made from that? Is Kathryn Bigelow’s bin Laden film looking impressive by now?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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