Coming off one of the best comedies of the past ten years (don’t even try to argue here), THR informs us that Jorma Taccone (MacGruber) will return to his directorial duties for New Line Cinema’s comic book adaptation, The Great Unknown; Mark Gordon and Jennifer Todd are producing the film, which Michael Starrbury has been set to pen. Will Forte, however, has not been thrown into the discussion.
Based on Duncan Rouleau‘s series, Unknown follows “a slacker with delusions of grandeur who believes his so-called great ideas are popping up elsewhere [and] goes on a quest to solve the mystery behind the idea thefts.” A dearth of familiarity with that source material — which, I have to say, sounds fairly interesting in its own right — leaves this writer nonplussed as to how this could translate into a feature; regardless, though, Taccone‘s sense of comedic timing and plain old formal competence has me hopeful for where The Great Unknown could lead to. (That almost sounds like a pun.) Heck, it’ll be great if he can just deliver more zingers on par with some of MacGruber‘s finer moments. Of which there are legion.
Have you read Rouleau’s comic? If so, do you see anything interesting coming from it?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute