All the ads for Saw VII — as well as, look at that, its own subtitle, The Final Chapter — made it loud and clear that this nonsense was finally, mercifully coming to a halt. For the time being.
There’s no way Lionsgate was going to let such a cash cow, even a decaying one, simply end for good when there’s still some coin to be earned at the box office. So, it’s no surprise when BloodyDisgusting reports that the studio are now aiming to reboot the recently-deceased franchise for their own, or, at the very least, put an eighth movie into motion; no matter what, they assure us “Jigsaw will return.”
I’ll take their word for it, if not any enthusiasm some will undoubtedly feel upon hearing such news. The original Saw, from what I can recall, was fine; the second, even at a younger age, felt extremely contrived; and then I just tuned out for years and years. And, no, an “update” or “new spin” is not going to make me invested in giving things another shot. Come on.
Are you up for a Saw reboot or follow-up?
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, editor Nick Newman, writer Danny King, and I have a discussion on why movies matter before jumping into a feature review of Terry Gilliam‘s latest creation The Zero Theorem, which is now available on VOD before a theatrical release on September 19th. […]
Bleak and harrowing, Starred Up is a prison picture that pushes the boundaries. The film opens with the graphic examination of Eric (Jack O’Connell) a teen transferred to an adult prison. Exploring the culture of violence, in particular the legacy of violence, David Mackenzie has crafted a powerful feature film that has resonated with in […]
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