All the ads for Saw VII — as well as, look at that, its own subtitle, The Final Chapter — made it loud and clear that this nonsense was finally, mercifully coming to a halt. For the time being.
There’s no way Lionsgate was going to let such a cash cow, even a decaying one, simply end for good when there’s still some coin to be earned at the box office. So, it’s no surprise when BloodyDisgusting reports that the studio are now aiming to reboot the recently-deceased franchise for their own, or, at the very least, put an eighth movie into motion; no matter what, they assure us “Jigsaw will return.”
I’ll take their word for it, if not any enthusiasm some will undoubtedly feel upon hearing such news. The original Saw, from what I can recall, was fine; the second, even at a younger age, felt extremely contrived; and then I just tuned out for years and years. And, no, an “update” or “new spin” is not going to make me invested in giving things another shot. Come on.
Are you up for a Saw reboot or follow-up?
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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