It was a mere 26 hours ago when I noted that Gerard Butler‘s deal on Motor City would, in all likelihood, create a problem for Brilliant, his planned reunion with The Ugly Truth helmer Robert Luketic. Surprise, surprise — Butler‘s aligned himself with Albert Hughes, and the other production’s now been forced back.
In place of the heist film – which may not even happen now - Luketic told The Telegraph (via DarkHorizons) that he’s got a couple of other projects in the mix, both of which are “a matter of the stars coming into alignment and small miracles being performed.” The one of most interest seems to be an untitled picture starring Liam Hemsworth (The Hunger Games), who’s been “formally” placed into the leading role. Though the helmer “can’t really talk about it,” we at least know production will take place across New York and Mumbai.
Then there’s some “revenge thriller” for Zhang Ziyi, as well as an animated feature being made with Animal Logic (Happy Feet); that’s “looking pretty solid,” in case you want to know. So, if you’re interested in Luketic‘s career path – there’s someone, right? – at least some developments (if not confirmations) are lying ahead.
Are you curious about a collaboration between Luketic and Hemsworth?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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