With a hero, a villain, and a director — yet, only two actual people! — it’s time for Kenneth Branagh‘s (somehow) still-untitled Jack Ryan reboot to find a lovely leading lady. Should Deadline be correct, they’re already approaching this one just right.
As their report informs us, Paramount have whittled down their selection pretty well and settled on three possible candidates: Keira Knightley (the current top choice), Evangeline Lilly, and Like Crazy star Felicity Jones. The “high-profile role” for which they compete is Dr. Caroline Muller, who, by the time of the Harrison Ford installments (Patriot Games & Clear and Present Danger), was Jack Ryan’s wife. And while many (read: not a soul) assumed Anne Archer would only hold the title of his onscreen wife, this three-film deal could see us add another to the non-maintained pantheon.
Jessica Biel and Kate Beckinsale were both approached — I guess someone at Paramount liked Total Recall — but those talks fell through For the best, I’d say, seeing as these are three choices I’d be very hard-pressed to reject; even Knightley, the most “obvious” pick of the litter, is far more interesting than those two action mainstays. But having someone like Lilly headline a franchise-starter — and, in all likelihood, an actual franchise that I see turning out very well — has even more potential. (It should be said that Jones is also a strong option. Let’s not, to paraphrase a spy term, leave her out in the cold.)
Which of these three would you pick? How do you feel about them as candidates?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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