The street-smart Gotham girl is continuing her 2012 hot streak. Following summer turns in Killer Joe and The Dark Knight Rises, Juno Temple is now being courted for a project much more in line with William Friedkin than Christopher Nolan — a comparison Alexandre Aja might relish.
Variety let us know she, Joe Anderson (The Grey), and Kelli Garner (Pan Am) have all been corralled into supporting roles on the director’s newest picture, Horns, thus putting them in the company of Daniel Radcliffe and Max Minghella. As of this writing, news only reveals that Temple will be co-starring as Merrin Williams, the deceased girlfriend of Ig Perrish (Radcliffe) whose death serves as the primary mystery.
I do like that pick, so it’s only right to hope the character will give her more screentime than is typical of a dead character. (A more recent point of comparison would be Leonardo DiCaprio‘s 2010 dead wife duology of Shutter Island and Inception.) From what I understand about both the novel’s structure and the way Ig’s head horns work, Temple should be in good shape.
Another Harry Potter star is getting some work for himself, as THR tell us Tom Felton will be coming aboard Belle; Penelope Wilton (The Best Exotic Marigold Hotel, Downton Abbey), James Norton (Ron Howard‘s Rush), and Sam Reid (Anonymous) are also comprising the new additions. (The lattermost is taking the spot of Sam Claflin, who had to drop for a big role in Catching Fire.)
This “tale of passion and romance” stars Gugu Mbatha-Raw as Dido Elizabeth Belle, a real-life, mixed-race 18th-century aristocrat who caused a stir upon falling in love with a white socialite (Reid). With this, social change soon begins in England.
Amma Assante, making her second film since A Way of Life, has compiled a cast which also includes Tom Wilkinson, Emily Watson, Matthew Goode, Miranda Richardson (another Harry Potter alumnus), and Sarah Gadon (Cosmopolis, A Dangerous Method). A very, very good team of people, all of whom might help make Belle stand apart from the historical Oscar bait such a project is in danger of becoming.
Have Horns and Belle made good cases for themselves with these newest moves?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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