Chloe Moretz‘s titular casting in Carrie has earned a polarized reaction or two (can there only be one polarized reaction?) these past couple of months, but it’s hard to deny they’re getting these adult roles down pat. A few weeks after Julianne Moore found herself playing Carrie’s dangerous, God-fearing mother, BloodyDisgusting reports that Judy Greer (The Descendants) is in formal talks for a part — one only deemed with the title of “Gym Teacher.”
While I really, truly hope her character is only named and referred to as “Gym Teacher” in the actual film, both Stephen King‘s source novel and Brian De Palma‘s original adaptation fill this stock part with one of the few (if not the only) adults who show Carrie any sympathy. It’s one of the bigger dramatic roles — particularly when you talk about a film whose fidelity to actual drama I remain unable to determine — and a legitimate onscreen talent, such as Greer, should help alleviate some concerns about what’s to come. Some concerns. (Not that this is necessarily crucial, but the book named her Rita Desjardin; in the film, she was known as Miss Collins. I expect Kimberly Peirce will stick with the former for her take.)
Furthermore, JoBlo informs us that Ivana Baquero (Pan’s Labyrinth) has been cast in the part of Chris Hargensen — who, in some ways, is the primary antagonist of this story — while the previously-rumored Gabriella Wilde is officially signed to play Carrie’s only high school-aged aid, Sue Snell. In this case, there are opposites at play.
Carrie will open on March 15th, 2013.
Some more casting news has arrived from LatinoReview, who have learned that Aubrey Plaza will take part in The Necessary Death of Charlie Countryman. You might, this early out, hear that name and not think twice about what it may signify, but herein we have a film that’s set to star Shia LaBeouf, Mads Mikkelsen, Evan Rachel Wood, Melissa Leo, Til Schweiger, and Rupert Grint; right off the bat, that doesn’t sound so bad.
Fredrik Bond‘s film debut, written by Matt Drake, is a “gritty pulp romance” revolving around Charlie Countryman (LaBeouf), a “normal guy who falls for a woman (Wood) who has been claimed by a violent crime boss (Mikkelsen).” Plaza‘s role in all this hasn’t been detailed, but a forthcoming shoot means we should know more before anybody gets too impatient about the specifics.
Do the two films stand to improve because of these choices in actors?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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