
After his surprise, but deserved Oscar nomination for A Better Life, actor Demian Bichir is carving his way into more Hollywood projects. With Savages released and Machete Kills coming next year, he’s now lined up another drama with some major talent already on board.
The actor has signed on to Dom Hemingway, the next project from Richard Shepard, who gave us the underrated comedy The Matador. Jude Law and Richard E. Grant joined the film this past spring, but with production kicking off soon the cast is being firmed up for the revenge-fueled black comedy. The project follows Law as a safe cracker, described as “funny, profane, dangerous,” and short-tempered. After finishing up a twelve-year prison sentence and being put back into society, the man takes it upon himself to “collect what he’s owed for keeping his mouth shut.”
Bichir, who will be playing a crime boss in the film, isn’t the only casting though, as Game of Thrones star Emilia Clarke has come aboard in an undisclosed role. As a big dan of Shepard’s Pierce Brosnan-starrer hopefully he can bring the same amount of wit and fun to this project. With production set for October 15th in France, expect it to show up next year in theaters.
What do you think of the cast?
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The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, staff writer Danny King, managing editor Dan Mecca and I review Baz Luhrmann‘s The Great Gatsby. Before that, however, we take a look at radical cinematic adaptations of classic literature. Finally, we take a look at the films coming to theaters and DVD in the coming [...]
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