Premiering at Sundance Film Festival last month, Joseph Gordon-Levitt‘s directorial debut Don Jon’s Addiction hasn’t even gone in front of the dreaded MPAA yet, but it’s already preparing for the worst. The film, which was met with strong reviews (including our own), follows a slick Guido type (Gordon-Levitt) who is addicted to porn and spends his night picking up woman at a local club. When he meets Scarlett Johansson‘s character one night, his lifestyle begins to change.
As one can expect, the film is piled high with graphic sex scenes (namely in the form of actual pornography), but Gordon-Levitt has already admitted he’s going to have to cut them down for theatrical release. The film was picked up by Relativity Media with a major marketing push (worth $25 million) promised for its wide summer release and now the actor/writer/director spoke at Berlin regarding the future editing. Picked up by THR, he said that he plans to cut out the “most graphic scenes” to nab an R rating but admitted, “it won’t affect the movie if we change that.”
He added, “Yes, we expect we have to do that, and I’ll be getting started on it as soon as I get back.” Gordon-Levitt continued, “I think it is important that those images are in there, but what precisely you see isn’t that important. What’s important is the rhythm of the film, the repetition of what the Don Jon character does, over and over.” As long as he can maintain what we called a “sincerely personal and comedic examination of sexual neurosis that is both strangely relatable and intimate,” then we won’t mind the few snips.
Are you disappointed you won’t be able to see the festival cut of Don Jon’s Addiction in theaters?
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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