New details about Diablo Cody’s adaptation of S.G. Browne’s Breathers: A Zombie’s Lament surfaced today. The project, announced last February, has been laboring in development. Now, the script is being shopped to directors, and Joseph Gordon-Levitt and Scarlett Johansson are “loosely attached” to the project.
Breathers will be a zom-rom-com that follows a recently re-animated dead man as he “must figure out what it means to live as an Un-dead in a society that denies his kind basic rights” – while apparently also falling for a zombie girl.
Cody’s last film, Jennifer’s Body, was considered a bomb, so it’s hard to say who will sign on to direct. Though her stock may rise as her next film, Young Adult, which re-teams Cody with Juno director Jason Reitman, is generating buzz having landed leading lady Charlize Theron.
Personally, I’m a fan of Cody, JG-L, ScarJo and zombie movies with sociopolitical undertones – so I’ll be keeping my fingers crossed that Breathed is brought to life.
Who would you like to see take on the directorial reins?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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