Once he’s done working with some elder talents in Last Vegas, Jon Turteltaub (National Treasure, The Sorcerer’s Apprentice) will move the age count down to single digits. THR tell us the helmer is signing himself for Beached, a Fox 2000 project which has, bar none, one of the single strangest loglines I’ve read all year — in which “a chubby 4-year-old child who falls overboard during a family outing, is raised by whales and goes on to become an Olympic swimmer.”
I said, “in which ‘a chubby 4-year-old child who falls overboard during a family outing, is raised by whales and goes on to become an Olympic swimmer.’”
Ted Griffin (Ocean’s Eleven, Matchstick Men) wrote the original draft, while Jordan Roberts (March of the Penguins) crafted an iteration which Turteltaub will now help rewrite. What are any of these versions, by the way? I would think it’s a comedy, given everything that’s being said right now — just picturing the plot outline gives me a nice chuckle — though they could, technically, make this some sort of dramatic story. Not that they should, mind you, which makes Turteltaub‘s taste for light, entertaining material the greatest hope Beached has right now. Maybe the only.
Is Beached shaping up to be a project of note?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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