Is it just me, or is John Cusack getting a little comfortable in the thriller genre? Next year alone should see the release of The Raven & The Frozen Ground, and The Factory might be hitting before 2011 is one for the books. Variety has news of an additional entry to add to his slate, this one being director Kasper Barfoed‘s The Numbers Station.
Written by F. Scott Frazier, the story follows Cusack as “a disgraced black-ops agent tasked with a deadend job of protecting a code operator [Akerman] for an isolated covert CIA broadcast station.” Ethan Hawke is said to have originally been attached to play the main character, but he dropped out for undisclosed reasons. Producing are Sean and Bryan Furst of Furst Films, along with Matador Pictures’ Nigel Thomas. The film is currently without a distributor, but Content will pitch it around the American Film Market; the presence of these two leads should help it find somebody, even if it isn’t a major studio.
Even then, when going by the description, this sounds like fairly standard material for the genre. Frankly, I’ll need a little something more than what we’re being given to get interested. Cusack isn’t quite an actor who elevates material, either; he’s fine, but not someone who makes me want to see a movie based solely on his presence. Essentially, I’m trying to say that it would be nice if this didn’t end up being like a lot of his recent work — that is, entirely skippable.
How does Numbers sound? Are you a Cusack fan?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute