Just a week after his name was thrown in the midst of discussion, Deadline has confirmed that Joel Kinnaman (The Killing, Snabba Cash) is stepping in Peter Weller‘s metal boots and taking up the mantle of RoboCop for Jose Padilha. While it’s, undeniably, a less commercial choice than someone such as Chris Pine or Michael Fassbender, one might find some understanding in Deadline’s note that studios are “desperately trying to find male stars [to] build movies around.”
Never did I imagine that Kinnaman would be one to have such a responsibility hoisted upon them, but congratulations and the best of luck to him. The guy’s a pretty solid actor, and, more importantly, the kind who has a skill in imbuing some genre material with humanity and emotion. (The Darkest Hour being excluded, I presume.)
That being said, however, reports have indicated that the RoboCop of today won’t bear too great a resemblance to Paul Verhoeven‘s controversial classic. Rather, Padilha promises something that will raise questions concerning “topics that Verhoeven untreated” — how someone changes into a cyborg, how this affects free will, the difference between humans and cyborgs, and others among them. If he’s actually interested in going down that path — and not simply delivering some ’80s-style fun to multiplexes — then this already has a shot of earning my attention. Kinnaman, as they say, could be a seal on the proverbial deal.
Production is expected to begin this summer.
Do you think Kinnaman can do the RoboCop character justice?
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With this year’s Cannes Film Festival halfway done, one of the clear highlights is Coens‘ 1960′s-set folk music tale Inside Llewyn Davis. Profiling a down on his luck musician (Oscar Isaac), whose natural talent indicates he is destined for success, the film is a vivid portrait of what it means to be a starving artist. In [...]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, staff writer Danny King, associate editor Nick Newman and I review J.J. Abram‘s new entry in his flagship franchise, Star Trek Into Darkness. Before that, though, we run down our top 3 most-anticipated films of the Cannes Film Festival. Finally, we take a look at the [...]
There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
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