Update: Carnahan‘s take is out the window, as Variety now reports that Marvel will regain rights to Daredevil once the October deadline passes. You can read the original story below.
Joe Carnahan‘s Twitter account is a pretty honest rundown of one director’s day-to-day workings, with the Grey filmmaker going past the typical fluff of a Hollywood account and just “telling it like it is.” (You might want to give his tweets a look, is what I’m saying.) Last night, we got what’s not just another taste of that attitude, but a possible admission of failure.
For more than a week, it’s been known that he’s Fox’s top pick for the Daredevil reboot — the man acknowledged as much when word went out — yet, last night, Carnahan told 5,000+ followers that his “idea for a certain retro, red-suited, Serpico-styled superhero [might have gone] up in smoke today.” He followed this up with a little caveat that, no matter if it’s he or the studio, “Time is NOT on anyone’s side.”
This is undoubtedly in reference to Fox’s requirement that Daredevil get shooting by October 10th, so: If they throw out Carnahan, another director needs to be found soon (as in, yesterday), or the character is no longer in their hands. Probably no great loss, except for whatever money they think could be earned in reviving Matt Murdoch. If they actually think they can make money by reviving Matt Murdoch.
Such news is a small shame, if only because I would’ve liked to know where Carnahan could go in making a “hardcore 70′s-style thriller” that’s also about a superhero. I also agree, yes, that “dark and gritty” is far too clichéd by this point — and truly outdated, now that Nolan‘s Batman series is over — so the loss of Daredevil is nothing to mourn over. Maybe we can, now, actually see him and Frank Grillo make Death Wish.
Were you hoping to see Carnahan take on the character? Is this news a big disappointment?
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With this year’s Cannes Film Festival halfway done, one of the clear highlights is Coens‘ 1960′s-set folk music tale Inside Llewyn Davis. Profiling a down on his luck musician (Oscar Isaac), whose natural talent indicates he is destined for success, the film is a vivid portrait of what it means to be a starving artist. In [...]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, staff writer Danny King, associate editor Nick Newman and I review J.J. Abram‘s new entry in his flagship franchise, Star Trek Into Darkness. Before that, though, we run down our top 3 most-anticipated films of the Cannes Film Festival. Finally, we take a look at the [...]
There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
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