Though the In Competition awards have yet to be handed out at this year’s Cannes Film Festival, hardware has still been bestowed amongst a group of the fest’s showings, thanks to the Critics Week awards, which were handed out by a Lee Chang-Dong-headed jury. The Michael Shannon-starring Take Shelter, writer-director Jeff Nichols‘ follow-up to his acclaimed Shotgun Stories, took home the Grand Prize, while subservient honors and mentions were given to the Aussie serial killer drama Snowtown, as well as Pablo Giorgelli‘s Las Acacias. [The Hollywood Reporter]
We reviewed the film at its premiere at Sundance Film Festival this year and you can read it here. The Cannes closing award ceremony will be held on May 22. A small number of favorites have revealed themselves — Tilda Swinton (We Need to Talk About Kevin) has been lauded in all corners, while Nicolas Wending Refn‘s Drive recently made an impressive late surge — but there should be a good deal of surprises when the envelopes are finally opened. In Contention‘s Guy Lodge believes that Le Havre, however, is the frontrunner for the top prize.
What do you think of the first round of awards? Do you have any predictions for the In Competition awards?
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
The thoroughly unsettling Faults, in theater this weekend, knows how to push the audience’s buttons in the right order to get the most out of a small budget and setting. The film follows Ansel (Leland Orser), a once-famed cult deprogrammer that is looking at diminishing returns on his success. When a couple find him in hopes that […]
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