Great news: One of our most anticipated films of the year is set to hit before 2012 comes to an end. According to Variety, Jacques Audiard‘s Cannes hit, Rust & Bone, has been secured for a limited opening on November 16th; Sony Pictures Classics will be distributing. Marion Cotillard and Matthias Schoenaerts (Bullhead) star in the film, a drama wherein an aggressive, unemployed father finds himself in love with a traumatized trainer of killer whales.
Our review from the festival was a little measured in its assessment, but there was praise for Audiard‘s “naturalistic camera work” and the central actors’ performances; the main point of contention comes from Rust‘s “sense of disjointedness,” which is, apparently, itself the result of adapting an anthology novel. Still! A Prophet was one of my favorite films of 2010 — one of my favorite crime films of this millennium, to boot — and the potential powerhouse of this acting combination alone gets me fully invested.
In the same report, we’re also told that Amy Berg‘s West Memphis 3 documentary, West of Memphis, will make its way into theaters on December 28th. Peter Jackson produced the work, a nearly three-hour exploration of the searing case that he hopes will “get the West Memphis Three’s names cleared and help find the real killer.” After its well-received premiere at this year’s Sundance, it looks as though the search for an actual perpetrator is getting closer and closer to being resolved; with enough attention and some luck, the public release might only push it even further.
And, on top of that, the film’s trailer makes it look like a truly compelling, detailed dive into one of the most controversial crimes of the past 20 years. When it’s all taken into account, Memphis is, without question, one of 2012′s most promising documentaries.
Do you plan to seek out either film when they hit in the coming months?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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