Having Jack Bender leave the Jack Ryan reboot is an unfortunate bit of business — I’m sure Kenneth Branagh will do fine work; it’s just that seeing a new voice take control would have been nice — but when one door closes for the guy, a window opens right up. (Or, if you would count Alcatraz as a major effort on his part, make that “when two doors close.”)
THR tells us the Lost helmer will partner with New Regency on Devolution, a tight-lipped thriller rooted in an idea by World War Z author Max Brooks; he’ll also make the film his first credit as a producer. The writing duties won’t go to him, unfortunately, but David Leslie Johnson, a scribe with a somewhat tenuous history that contains Wrath of the Titans, Red Riding Hood, The Walking Dead, and Orphan. (Only the last is well-regarded in any true way, as far as I can remember and gather.) Let’s hope either a) his filmography has some weird history behind it that can totally be accounted for, or b) Brooks‘ idea and Bender‘s own work can patch any potential wounds.
But I’ll be optimistic, having been fairly taken with the director’s heavy rotation on Lost and some other TV productions, too, such as The Sopranos. Really, I’d just love for him not to pay for dropping a franchise-starter; it’d be even better if this could start its own.
Do you have any early impressions of Devolution, despite this low amount of information?
As my review can attest to, I’m looking forward to not only watch John Wick again but also see how the film hits with general audiences when it arrives this weekend. The actioner stars Keanu Reeves as an ex-hitman who is crossed by the son of his old employer. When everything is taken from him, he decides to […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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