Having Jack Bender leave the Jack Ryan reboot is an unfortunate bit of business — I’m sure Kenneth Branagh will do fine work; it’s just that seeing a new voice take control would have been nice — but when one door closes for the guy, a window opens right up. (Or, if you would count Alcatraz as a major effort on his part, make that “when two doors close.”)
THR tells us the Lost helmer will partner with New Regency on Devolution, a tight-lipped thriller rooted in an idea by World War Z author Max Brooks; he’ll also make the film his first credit as a producer. The writing duties won’t go to him, unfortunately, but David Leslie Johnson, a scribe with a somewhat tenuous history that contains Wrath of the Titans, Red Riding Hood, The Walking Dead, and Orphan. (Only the last is well-regarded in any true way, as far as I can remember and gather.) Let’s hope either a) his filmography has some weird history behind it that can totally be accounted for, or b) Brooks‘ idea and Bender‘s own work can patch any potential wounds.
But I’ll be optimistic, having been fairly taken with the director’s heavy rotation on Lost and some other TV productions, too, such as The Sopranos. Really, I’d just love for him not to pay for dropping a franchise-starter; it’d be even better if this could start its own.
Do you have any early impressions of Devolution, despite this low amount of information?
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
The thoroughly unsettling Faults, in theater this weekend, knows how to push the audience’s buttons in the right order to get the most out of a small budget and setting. The film follows Ansel (Leland Orser), a once-famed cult deprogrammer that is looking at diminishing returns on his success. When a couple find him in hopes that […]
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