We loved it at Sundance, other people at Sundance loved it, and IFC is now jumping on the bandwagon. According to Variety, the company has snatched up the rights to Mike Birbiglia‘s feature debut, Sleepwalk with Me — which, by all means, should be getting some kind of hybrid VOD/theatrical release later in the year.
Co-written by the director and star, Sleepwalk revolves around an “aspiring comedian reluctant to confront his fears of love, honesty, and growing up,” along with his “hilarious and intense struggle with sleepwalking.” Lauren Ambrose (Six Feet Under) plays the man’s suffering girlfriend, who also has to deal with his “passive, noncommittal nature and less-than-aggressive pursuit of a comedy career.” I’ll be checking it out.
Variety gives distribution news on another Sundance holdover, Hello, I Must Be Going, starring Melanie Lynskey as “a thirty-something divorcee who moves back in with her parents, only to find romance in a local teenager.” This one played in late January to some pretty negative responses; a shame, since we’re all Lynskey fans. Right? I’m not off-base in making that assumption?
Oscilloscope has warmed up to Todd Louiso‘s film, having “loved it from the moment we saw it at Sundance.” They’re looking to get it out there — more than likely in a limited capacity — this coming August.
Lastly, Variety also tells us that a very non-Sundance title has gone to Lionsgate. Said title is Hummingbird, a Jason Statham-starrer directed by Eastern Promises writer Steven Knight. Also written by the debut helmer, Hummingbird follows “a veteran haunted by a tragic past who assumes the identity of an upper class Londoner. After the death of his girlfriend, however, our lead “can no longer hide from his past as he hunts down the perpetrators.” Shooting (and ass-kicking) will begin on Monday.
Are any of these projects attuned to your own tastes? Will you seek them out?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute