
Yeah, I can see it. Harrison Ford is the first choice to play Brooklyn Dodgers general manager Branch Rickey in the Jackie Robinson biopic 42, directed by Brian Helgeland [Deadline]. The film will tell the story of Robinson, the first African-American integrated into Major League Baseball, and Rickey, who trailed-blazed against the old guard of racism owners and managers.
For as long as anyone can remember, this project has been in place in some form, with Robert Redford long the first choice to play Rickey.
Now Redford’s 75 years old. Ford’s 69 years young. Alright, so not that big an age difference but the former does look considerably older than the latter. Legendary Pictures is producing the picture, with no word yet on who’ll be cast in the role of Robinson. It’s an interesting choice for Helgeland, a man who’s name isn’t househeld but perhaps should be. He’s spent his career churning out screenplays for some of the most critically-acclaimed films of the last two decades (L.A. Confidential, Mystic River) and some of the worst (The Postman, The Order). In the awards season of 1998, he accepted both an Oscar for L.A. Confidential and a Razzie for The Postman.
His directing career has been far more brief, offering the fun, violent retro-noir Payback, then the fun, not-so-violent A Knight’s Tale. And then…he directed The Order (the same as shown above), and hasn’t directed a film since. 42 can’t come fast enough for either of these guys.
It’s safe to say both Ford and Helgeland both need a handsome, high-profile project to put them back on top (Ford’s last was the underperforming Cowboys & Aliens, Helgeland’s last script the underperforming Robin Hood). Ford’s also being swooned for a key role in the recently-reinvigorated Ender’s Game film adaptation, to be directed by Gavin Hood.
Which project would you more like to see Ford in? Ender’s Game or 42?
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There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
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Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
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