With his latest project currently in the negotiations stage, it looks like A Very Harold & Kumar 3D Christmas director Todd Strauss-Schulson is adding another picture to his directing list. According to Variety, Strauss-Schulson has signed on to direct the horror comedy Final Girls for New Line.
Sideways‘ Michael London and his Groundswell Production Company will produce with the help of Jocelyn Hayes-Simpson, with Mark Fortin and Josh Miller writing the script.
The project has been “described as a mix between Back to the Future and Friday the 13th” which will follow a young girl mourning the death of her mother, who was a 1980′s “scream queen.” After traveling back in time to the world of her mother’s most famous horror flick, the young girl and her mother reunite to fight off the film’s main villain.
Although I’m a little skeptical at how well the script will turn out, this project is definitely the most original movie I’ve heard about in a long time in this genre. I’m a fan of both Back to the Future and Friday the 13th, so I’m also interested in seeing how Strauss-Schulson will deal with the horror/comedy genre since we’ve only seen his talent be used in one of those aspects, heavily, on Harold & Kumar 3D.
What are you initial thoughts on Final Girls?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute