Back in March, we expressed a reasonable level of bewilderment when Columbia Pictures announced their plan to purchase rights to an English-language remake of Diederik Van Rooijen‘s Dutch thriller Taped — a film that, at the time of the aforementioned notice, hadn’t even been in theaters in its home country for more than a single week. American remakes of foreign commodities are, of course, far from uncommon these days, but to gamble so soon on an unproven product seemed, at the very least, a bit premature.
Perhaps wisely, then, Red Wagon Entertainment’s Douglas Wick and Lucy Fisher — the project’s principal producers — proceeded to put on the brakes a little, as today’s announcement of the hiring of screenwriter Brian Nelson is the first thing we’ve heard on this project since early March. And it’s a good hire, I’d say — Nelson‘s résumé, which includes the chilling Ellen Page-starrer Hard Candy and the effective, underseen Devil, primes him well for the genre tropes that seem to be central to the nature of Taped. [The Wrap]
Like the Dutch original, its plot follows “a couple that videotapes a murder by a bad cop while they are on holiday in Argentina. They [soon] become embroiled in the drama and end up fighting for their lives in order to escape.”
With films such as The Great Gatsby and the soon-to-arrive Lawless under their watch, Red Wagon is beginning to resurrect itself as a production company worth keeping an eye on, and it should be interesting to track how Taped will fit into their upcoming platform of releases. Hopefully the acquisition of a capable director is the next step on the horizon.
Have you heard anything substantial on the original Taped? Do you think an American remake will be successful?
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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