By this point, hearing of a Hans Zimmer-Christoper Nolan collaboration is almost as expected as John Williams and Steven Spielberg getting together. But you now what’s weird? The former coming on for a project that’s “only” produced by the latter and, supposedly, in the hands of someone with an entirely different style.
So a couple of new questions now surround Man of Steel, with Variety reporting that Zimmer will come in and do his thing for Zack Snyder‘s Superman reboot — but, at the same time, also be something of a replacement for the director’s own mainstay, Tyler Bates. I know that story alleges his own involvement in the choice, but I find it awfully hard to believe the producer — or, you could say, WB’s favorite director in the entire world — didn’t just step in and make this choice for himself.
Some of these aforementioned questions might include… I don’t know, “How much pull does Christopher Nolan really have here?” While we’ve known, since the project’s birth, that he had some hand in shaping the story, many of us (correctly) thought he was too busy to have much more creative say in Snyder‘s film. Now that The Dark Knight Rises should be just about done?
And Zimmer didn’t want to do Man of Steel 18 months ago, either. Here’s what he said, at the time, about replacing John Williams‘ iconic theme:
John Williams, the greatest living composer — full stop. And that happens to be one of his greatest themes. So no. And I’m not thinking of rewriting Beethoven’s ninth either. It just sounds like a thankless task, you know? So that’s unequivocally a no.
People sometimes (though not often enough) grow and change over time; maybe Nolan explained the project in detail and, in doing so, set off something in Zimmer‘s brain that couldn’t be turned down. Yet even if this new Superman is exciting enough to take on “a thankless task,” that would still mean this addition is predicated upon the producer.
It should all be evident in the coming months, and we’ll know for sure when Man of Steel opens on June 14th, 2013.
What does this choice for Man of Steel say to you? Is it a cause for concern, or a sign of relief?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute