And it was with this announcement that I truly wished for the Halloween series to just go away. The Weinstein Company tried their best when they cosigned Halloween 3D to a fiery oblivion of TBD; that wasn’t enough, and now it’s back in a format none of us could’ve hoped for. That’s because BloodyDisgusting is reporting that Platinum Dunes — the Michael Bay-led production company responsible for most of the reboots of horror franchises you used to enjoy — are now in talks to acquire the property.
First off, this may leave Patrick Lussier and Todd Farmer — director and writer, respectively, of My Bloody Valentine 3D and Drive Angry 3D — out in the cold. It ought to be evident enough from this company shift, but one should also consider the massive stylistic gap between that duo and Platinum Dunes; one is dedicated to over-the-top, violent fun, while the other has a penchant for needlessly gritty and ugly “violence.” I don’t need to explain who’s who in this scenario.
And, needless to say, it’s a shame that Halloween might be stripped of any entertainment and put through the Rob Zombie machine once more. (It should be noted that I probably hate his remake of Halloween more than any other film I’ve seen in a theatrical setting.) This franchise has been dead to me for a few years now, sure, but Platinum Dunes? Talk about rubbing salt in the knife wound.
Would you want more Halloween, even with Platinum Dunes doing the work?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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