Although Gus Van Sant was able to shoot Promised Land right under our collective nose — and, if this story is to be believed, could get it out this year — not everything about it can be shrouded in darkness. We express a little surprise upon hearing that he, Matt Damon, and John Krasinski would make a drama about fracking, but the latter star has gone on the record to say that, while Promised Land uses the practice, it’s only one part of a much larger, far more human story. [Pittsburgh Post Gazette]
Specifically, “a backdrop” that gave them a chance to “magnify the country’s state”; as a whole, Promised Land is the story of a salesman (Damon) who, according to Krasinski, is “going through a change of his own and living in this current world and debating how he wanted to live in this current country.” Land‘s plot sees him and a land leaser (Frances McDormand) travel to McKinley, a fictional Midwestern town filled with both “experiences remind him of his own upbringing and background” and, unfortunately, denizens who don’t take kindly to their business proposal.
On the other side of the societal coin would, mainly, be Krasinki‘s environmentalist, along with two teachers: a retired one, played by Hal Holbrook, and Rosemarie DeWitt‘s currently-employed elementary school instructor. They act as Promised Land‘s backbone by, in the man’s own words, “protecting [...] a community and a lifestyle that they believe very, very strongly in”; when that’s all laid out, we can start to see pretty obvious connections to a central theme of “how citizens are scrambling to find and cling to their American pride.” Those Frank Capra comparisons might not have been so crazy.
Release-wise — something most reading this would like to know above all else — Van Sant has already created his “bare-bones assembly,” and is currently in an editing process which could, if all goes through as suggested, allow it to appear “possibly as early as the end of the year in a small number of theaters.” I wouldn’t be so crass and demanding as to say those responsible should hurry up and get it out now, so we don’t have to wait until, say, fall of 2013… though I couldn’t object to just such a thing happening, either.
Have Krasinski’s comments on Promised Land given a positive impression of the project?
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With this year’s Cannes Film Festival halfway done, one of the clear highlights is Coens‘ 1960′s-set folk music tale Inside Llewyn Davis. Profiling a down on his luck musician (Oscar Isaac), whose natural talent indicates he is destined for success, the film is a vivid portrait of what it means to be a starving artist. In [...]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, staff writer Danny King, associate editor Nick Newman and I review J.J. Abram‘s new entry in his flagship franchise, Star Trek Into Darkness. Before that, though, we run down our top 3 most-anticipated films of the Cannes Film Festival. Finally, we take a look at the [...]
There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
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