Some international casting news comes in from Variety, who report that Geoffrey Rush and Jim Sturgess have been cast in The Best Offer, a drama set in the high-stakes world of art auctions; there’s something we don’t see onscreen too often. Giuseppe Tornatore (Cinema Paradiso) is helming, with production kicking off in Vienna and the Alps at the end of this month.
Nothing else exists in the realm of plot, though it could be said plot takes something of a backseat when you learn Ennio Morricone — a man who requires no introduction — will be working on the score. No matter how The Best Offer comes across in terms of screenplay, performances, direction, cinematography, etc., there’s a strong chance it’ll sound terrific. But, still: a classy, Europe-set film that a) is directed by Tornatore and b) stars Rush and Sturgess can’t be all bad. It could even be quite good.
Does The Best Offer leave a good impression thus far?
There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
Latest posts from Beats Per Minute