She made the wise choice by bailing on March’s Wrath of the Titans, but that doesn’t mean Gemma Arterton‘s avoiding the genre material all the same. Just look toward the next twelve months, which should see Neil Jordan‘s vampire tale, Byzantium, and Hansel & Gretel: Witch Hunters both hit with her name granted some top-billing — but it’s not all monsters and ghouls, so long as THR‘s story comes to plan.
They tell us the British star is now up for The Wright Girls, an American semi-remake of 2003′s Japanese film 2LDK. The almost Lynchian thriller-comedy centers on two up-and-coming actresses who live together but, despite a public display of friendliness, are constantly at one another’s throats, even resorting to violence when they’re both up for the same film role. Bert Royal (Easy A) has penned the script, while Andy Fickman (Race to Witch Mountain) will be directing.
The other leading part hasn’t found an actress yet, though I’m admittedly curious when it simply comes to seeing Arterton — someone who, while talented, hasn’t been given many “flexible” roles — face off against someone else in such a fierce manner. Heavy involvement on the part of someone behind She’s the Man not being taken into account, the logline alone makes it easy to see some potential in Wright Girls at this point.
Does The Wright Girls sound like proper material for Arterton? Is there anyone you’d like to see in the opposing role?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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