This could be an opportune moment for me to extoll on the dangers of a studio setting the date for a film that doesn’t have its director locked in, but we’d also be talking about Red 2. Perhaps unbeknownst to you and I, the follow-up to 2010′s action hit has been chugging along for the past couple of months without anyone at the helm, despite Jon and Erich Hoeber returning to crank out another script; now, however, it appears as though that problem has been solved
As Variety reports, Dean Parisot — whose been sticking to TV work since 2005′s Fun with Dick and Jane — is in final talks for Red 2, a job that would, in all likelihood, put the likes of Bruce Willis, Morgan Freeman, John Malkovich, Helen Mirren, and Mary Louise-Parker under his guidance. If all goes to plan, they’ll be back for a story that follows the “CIA operatives as they use their old-school style to take on a new set of enemies all across Europe.”
Some may feel that his thin resume makes him an odd (even poor) choice for a big studio picture, but we must not forget Galaxy Quest — or, dare I say, one of the best comedies of the ’90s. Heck, that credit alone might make Parisot one of the only things that would generate any interest in a Red follow-up on my part.
Oh, and when it comes to that release date thing, Red 2 might not actually hit on August 2nd of next year; Variety notes that Willis must “work out his schedule” in the meantime. (A schedule that includes A Good Day to Die Hard, which I totally forgot will hit in less than a year. Man, no good can come of that.) But, should they stick to their date, this could a) be a quick shoot, or b) only tighten up the actor’s schedule even more. I’m sure he’ll manage, either way.
Would you be interested in a second Red? Will Parisot directing change your tune in any way?
As much as we’d love to believe certain myths, no filmmaker has simply waltzed into making a masterpiece without cutting their teeth beforehand. Jaws may have been the first modern blockbuster, but Spielberg had already created a terrifying beast with the mechanical semi-truck in a made-for-television film, Duel. Truffaut’s The 400 Blows remains among the [...]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out [...]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of [...]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]