Emerging safely from whatever traps lie in massive, massive franchises, Daniel Radcliffe has, still, spent almost his entire “adult” career doing genre work. In addition to this February’s The Woman in Black, a rather obvious example, the actor is planning to work with horror figurehead Alexandre Aja on Horns — two films which, though different in content, share many of the same traits.
This notion may have further support from TheWrap, who report that he’s “reportedly interested” (“is considering a thought”) in taking the top spot for Paul McGuigan‘s Frankenstein. Scripted by Max Landis and, up until recently, planned to be a helming project for Shawn Levy, this new take on Mary Shelley‘s long-standing classic is told from the perspective of Dr. Frankenstein’s assistant, Igor; he’s named Hunchback this time out, and is summed up as being “pathologically dirty and dressed in old clowns clothing.”
Say what you will about the prospect of yet another “look how we’ll tell this classic story this time around” types of films — I’m tired of it, too, even knowing little about this iteration — but Frankenstein might be worth its weight if it could allow Radcliffe to do something very much outside his own wheelhouse. The part would require makeup, he’d have to put on a different “acting mode,” most likely, and so on; to get him into that spot would be fascinating, I think.
It is a bit early, though. Fox are hoping to get Landis‘ script into a more optimal shape, after which talks can really commence.
Is Radcliffe a right choice for this sort of part?
There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
Latest posts from Beats Per Minute