I don’t know anyone who actually paid to see Taken 2, but those who actually reviewed it (including ourselves) were not kind. I’d like to think Liam Neeson gives a thought or two to what critics are saying about his work — even though it wouldn’t account for several recent career choices — but 20th Century Fox couldn’t give less of a hoot if the movie’s a hit. Since Olivier Megaton and team just earned more than twice the original’s opening weekend haul, it’s safe to say things went well.
Are you following the pattern? During an interview with our friends at Hollywood.com, screenwriter (and frequent Luc Besson collaborator) Mark Kamen confirmed, in so many words, that (surprise!) Taken 3 is on its way. Although he claims such an idea didn’t hit until Taken 2‘s box office numbers started rolling in — a statement I’d cast under some mighty serious doubt — here do the writing pair and Fox stand.
So early is this development, though, that something about the plot can’t be discussed in-depth, save for the promise that Taken 3 will “go in another direction” from what came before and, in turn, “[s]hould be interesting.” I’ll hold my breath for an “interesting” second sequel to Taken, if you’ll allow me to be so frank, but that’s the promise from a man right at its center.
Is Taken 3 something you’d even want to see?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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