Odds say The Master is a) still at your local theater, hopefully in beautiful 70mm, or b) just on its way out. The film still isn’t “going away,” in some traditional sense, and since Paul Thomas Anderson‘s latest triumph still awaits a release in many international circuits, a crop of foreign material has sprung up in anticipation of another country’s unveiling.
For you, the reader, we have two posters crafted for The Master‘s Turkish opening: A lovely, Rorschach test-like design that shows off our three leads — not, I believe, what Joaquin Phoenix‘s Freddie Quell would typically make out through the inky mass — as well as a black-and-white variant with some altered title placement. They’re beautiful works — they would’ve been an entirely more satisfying form of advertisement than what us North Americans ended up getting — also ones I hope become available for purchase at some point.
In the meantime, take a gander below at Koray Doyran‘s artwork for distributor Calinos Film:
The Master hits Turkey on November 9th.
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There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
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