With Eric Bana, Rebecca Hall, and Jim Broadbent all taking lead roles for Boy A director John Crowley and Eastern Promises scribe Steven Knight, it’s safe to say this (currently untitled) legal thriller is one I anticipate greatly. But, just in case some extra fuel needed to be thrown on the fire, ThePlaylist has learned that Ciarán Hinds, Julia Stiles, Riz Ahmed (Four Lions, Centurion), Anne-Marie Duff (Nowhere Boy), and Kenneth Cranham (Hot Fuzz, Valkyrie) have all signed to join the cast. Not bad at all.
Roles haven’t been specified as of this writing, but with a story that centers on two lawyers, Martin and Claudia (Bana and Hall, respectively), right in the middle of a terrorism trial, one sort of has to assume that Ahmed‘s character — he’s the only Middle Eastern actor in the bunch, mind you — will be directly involved in the case. (I hate profiling, but the dots almost connect themselves in this instance.) Whether Hinds is playing a high-power attorney or a friendly ice cream man, though, this is an assemblage of onscreen talent I can’t find much fault with.
Working Title Films and Focus Features will begin production next week.
Do these new names increase your interest in the film to any degree?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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