Actress on the rise Elle Fanning has signed on to star in Olive’s Ocean, an adaptation of the 2003 novel by Kevin Henkes, according to Deadline. A 2004 Newbury Award winner, Olive’s Ocean follows a Wisconsin teenager named Martha (to be played by Fanning) who spends the summer with her Grandmother (named Godbee) on the Atlantic Ocean. Before her latest trip she is given a journal entry written by her classmate Olive, who has recently passed away and secretly hoped to be friends with Martha.
Olive is taken aback by this, and after discovering they both shared a love of the ocean, she decides to capture a jar full of the Atlantic to give to Olive’s mother upon her return to Wisconsin. In addition to her mission, Martha also deals with burgeoning young romance and grows even closer to Godbee. Christina Hammonds Reed has been given screenwriting duties; this will be her first feature film script (she was recently a Nicholl Fellowship finalist, which sounds cool even though that might as well be Greek to me). No director has been named as of yet, but a budget of 11 million dollars has been agreed upon so I would assume it’ll either be someone cheap or new.
At its surface, Olive’s Ocean seems like sugar-coated pablum and a movie that I would literally punch a nun (again) to avoid, but it does seem like a movie that could hit with the young female demographic in a major way. But this is seriously not for me, in any way whatsoever, so I’m going to end it on that note before I run out of things to say.
Is the Olive’s Ocean novel a lot better than the plot outline makes it sound? Will it be a movie that females will latch onto, or will it get lost in the dust?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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