With Red Hook Summer having passed through Sundance to a pleased (if not wholly enthusiastic) response, Spike Lee has to get right back to work on Oldboy — and I can’t determine if that’s the best idea. Casting difficulties have been plaguing this remake for months and months now — Clive Owen, Colin Firth, Christian Bale, Rooney Mara, and Mia Wasikowska all passed — all of which only sits on top of a delayed start to production. Needless to say and already evident as it is, Lee’s got a lot more built into him than yours truly.
Now, Twitch reports that the female lead, once eyed for Mara, is now being thrown toward recent indie darling Elizabeth Olsen. The part in question is a younger woman who helps (and soon romances) a stranger (Josh Brolin) in his quest for revenge on a mysterious, powerful figure. Should my own assumptions be correct and Mark Protosevich didn’t deviate from the Park Chan-wook favorite to so great a degree, we’re talking about the second-biggest role in the entire film — one that also needs a fully capable actress at the helm.
Now, though I can’t personally say why she might take on a character that two other talents decided wasn’t worth their time, Twitch has at least one solid reason: before she gets underway with shooting on some other projects later in the year, Olsen has what’s only described as “a sizable gap in her schedule.” Okay… not much, but it’s better than nothing, and I’m glad to know that those behind the endeavor — which I really kind of want to see come together — haven’t given up just yet.
Could Olsen be the next crucial piece of casting in Oldboy?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute