If you’re going to make an earthquake movie, I guess hiring an Oscar winner isn’t the worst option. That’s the line of thinking for Universal and Bad Robot, who, according to Deadline, have contracted Dustin Lance Black (Milk, J. Edgar) to write their cleverly-titled disaster film, Earthquake.
Not a remake of the Charlton Heston… classic (?), but simply another Universal-backed project which turns some major city (maybe Los Angeles, once again) into a pile of rubble. Different territory for the history-inclined Black, but also the second project of this sort he’s found himself right in the midst of; the other would be his gestating comic book adaptation, 3 Story. Better, still, to have a (arguably) proven scribe doing the work than their past writer, David Seltzer (The Omen).
It’s mildly interesting to note that Abrams’ former Lost partner, Carlton Cuse, has already been tapped to write another Earthquake film: San Andreas 3D, a survival story that Brad Peyton (Journey 2) will be directing for New Line. There are little expectations from me, when it comes to either film, save for good entertainment and a difference in storytelling. We don’t need two earthquake movies, ever, so don’t make me sit through the same thing twice.
Is Black a reasonable choice for a project like Earthquake?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute