If you’re going to make an earthquake movie, I guess hiring an Oscar winner isn’t the worst option. That’s the line of thinking for Universal and Bad Robot, who, according to Deadline, have contracted Dustin Lance Black (Milk, J. Edgar) to write their cleverly-titled disaster film, Earthquake.
Not a remake of the Charlton Heston… classic (?), but simply another Universal-backed project which turns some major city (maybe Los Angeles, once again) into a pile of rubble. Different territory for the history-inclined Black, but also the second project of this sort he’s found himself right in the midst of; the other would be his gestating comic book adaptation, 3 Story. Better, still, to have a (arguably) proven scribe doing the work than their past writer, David Seltzer (The Omen).
It’s mildly interesting to note that Abrams’ former Lost partner, Carlton Cuse, has already been tapped to write another Earthquake film: San Andreas 3D, a survival story that Brad Peyton (Journey 2) will be directing for New Line. There are little expectations from me, when it comes to either film, save for good entertainment and a difference in storytelling. We don’t need two earthquake movies, ever, so don’t make me sit through the same thing twice.
Is Black a reasonable choice for a project like Earthquake?
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, TFS’ Dan Mecca, writer Danny King and I briefly discuss Ivan Reitman‘s Draft Day, starring Kevin Costner, before diving into a feature review of Jonathan Glazer’s sci-fi drama Under the Skin, starring Scarlett Johansson. Following that, we take a look at the films coming to [...]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out [...]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of [...]
In theaters now, Ivan Reitman‘s new film, Draft Day, does quite a bit with a hard subject. Part of that is the writing, but a lot of the success on screen is due to the amassing of talent Reitman manages and the flash he implants into ordinary scenes. The life of a GM during a tumultuous and pressure-packed [...]