If you’re going to make an earthquake movie, I guess hiring an Oscar winner isn’t the worst option. That’s the line of thinking for Universal and Bad Robot, who, according to Deadline, have contracted Dustin Lance Black (Milk, J. Edgar) to write their cleverly-titled disaster film, Earthquake.
Not a remake of the Charlton Heston… classic (?), but simply another Universal-backed project which turns some major city (maybe Los Angeles, once again) into a pile of rubble. Different territory for the history-inclined Black, but also the second project of this sort he’s found himself right in the midst of; the other would be his gestating comic book adaptation, 3 Story. Better, still, to have a (arguably) proven scribe doing the work than their past writer, David Seltzer (The Omen).
It’s mildly interesting to note that Abrams’ former Lost partner, Carlton Cuse, has already been tapped to write another Earthquake film: San Andreas 3D, a survival story that Brad Peyton (Journey 2) will be directing for New Line. There are little expectations from me, when it comes to either film, save for good entertainment and a difference in storytelling. We don’t need two earthquake movies, ever, so don’t make me sit through the same thing twice.
Is Black a reasonable choice for a project like Earthquake?
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, Danny King, Amanda Waltz, and I discuss Alex Garland‘s sci-fi feature Ex Machina, which is currently in wide release. After that, we take a look at the films coming to theaters and home video in the coming week, as well as an odd […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
Genre film fans are likely familiar with writer Alex Garland‘s output over the last decade and a half. He made his name with a splash when his novel was adapted into the backpacking adventure thriller The Beach in 2000 and struck again with screenplay for 28 Days Later which some credit as the fire that helped reignite […]
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