If you’re going to make an earthquake movie, I guess hiring an Oscar winner isn’t the worst option. That’s the line of thinking for Universal and Bad Robot, who, according to Deadline, have contracted Dustin Lance Black (Milk, J. Edgar) to write their cleverly-titled disaster film, Earthquake.
Not a remake of the Charlton Heston… classic (?), but simply another Universal-backed project which turns some major city (maybe Los Angeles, once again) into a pile of rubble. Different territory for the history-inclined Black, but also the second project of this sort he’s found himself right in the midst of; the other would be his gestating comic book adaptation, 3 Story. Better, still, to have a (arguably) proven scribe doing the work than their past writer, David Seltzer (The Omen).
It’s mildly interesting to note that Abrams’ former Lost partner, Carlton Cuse, has already been tapped to write another Earthquake film: San Andreas 3D, a survival story that Brad Peyton (Journey 2) will be directing for New Line. There are little expectations from me, when it comes to either film, save for good entertainment and a difference in storytelling. We don’t need two earthquake movies, ever, so don’t make me sit through the same thing twice.
Is Black a reasonable choice for a project like Earthquake?
As my review can attest to, I’m looking forward to not only watch John Wick again but also see how the film hits with general audiences when it arrives this weekend. The actioner stars Keanu Reeves as an ex-hitman who is crossed by the son of his old employer. When everything is taken from him, he decides to […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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